Showing posts with label creativity. Show all posts
Showing posts with label creativity. Show all posts

29 January 2013

My Disappearance

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I have always disappeared in one way or another. The history’s there; I just had to write this blog to discover it and understand why. 

My family lived in New Hampshire in a small ranch house across the street from Lake Winnisquam. I shared a bedroom with my sister who is six years younger. My brother, two years younger had his own room. The walls were thin, the commotion pretty constant, and finding privacy almost impossible. Dad used to tease me about spending so much time in the bathroom, the only room where no one barged in or bothered me unless it was an emergency.


I first disappeared into a typical pre-teen refuge, burrowing down after bedtime under my blanket where I would read or write in my diary by penlight with one ear bud plugged into my transistor radio. Even though I had school the next day I would stay up until one or two in the morning, leaving my parents dumbfounded as to why, when in the morning, I was so miserable to get out of bed. Sometimes my dad resorted to pulling the pillow out from under my head and yanking back the covers. One time he sprinkled my face with cold water. My escape was discovered one night when I fell asleep, the transistor radio cord unplugged, and rock-‘n’-roll woke my parents.




That was around the time the Beatles took over my life and I soon disappeared into a fantasy world with three other friends. We formed a secret club, each of us becoming “the bird” of our favorite Beatle and writing stories about our “luv” and then exchanging them. That only lasted until one of the parents caught Ringo’s bird passing a rather risqué story to John’s bird. We had to disband. After that, I didn’t dare write stories.



Next, I disappeared into my diary, filling it with a teenage angst pot of longing for love and someone to understand me, a place to help me figure out what to do with classmate troubles and old-fashioned, strict parents.



Then the summer after turning fourteen, I wrote in my diary that I’d fallen in love.

Because we lived on the opposite side of the road from the lake, we had to use the right-of-way at the west end to go swimming. That summer I met and fell for a boy from Boston who was there with his family vacationing in one of the summer cabins. His name was Bruce, but his cousin called him “Punk,” as I would. To my astonishment this handsome lad liked me. I kept him a secret as my dad thought all boys from Boston were “bad seeds.” Punk and I would meet and hang out at the right-of-way during the day and a few times we met in the evening to be alone. I wore peddle-pushers and a mod satin shirt with puff sleeves and twenty-five tiny buttons down the front. I wasn’t ready for the heavy petting. I only wanted to kiss him, and those buttons kept me safe.



After Punk returned to Boston without conquering that blouse, a few letters followed, but soon my first love faded away. My parents never saw the letters as I brought in the mail every day, so I was safe from discovery, or so I thought.



One night at dinner, Dad asked about the boy from Boston.



I can’t remember what I said, but I must have asked him how he knew, and he said, “You shouldn’t leave your diary out and open on your desk.”



I waited for some kind of punishment while I went from fear of discovery (Oh, my god, what had I written? What had he read?) to anger at this breach of my privacy. (What gave him the right to read my diary? And how could it have been open on my desk? I always lock it and hide it away.)



I don’t know what happened to that diary. I wish I had it now. After that, I only wrote notes to my girlfriends, poems, and school reports. For my escape, I started drawing and painting instead.



When the fights with my dad increased, I would retreat to the right-of-way and sit under the old tree where Punk and I made out. The roots that protruded above ground held me between them and I would lose myself in the cry of loons, the twinkle of lights from cabins across the lake, the smell of bar-b-ques, and the accompanying laughter and voices of other families that drifted to me over the water’s dark surface. I often took a book and could stay there for hours.


The day after my father committed suicide, I disappeared to the right-of-way, scaring my mother. But that house was too chaotic and filled with confusion, shame and grief. I needed to be alone, to cry, to settle my head, body and soul so I could return and carry on, although my heart would be damaged for a long time.

Life continued and changed many times, and so did my reason for and avenue of disappearing. Whenever life became too noisy and stressful, whenever I needed to escape trying times—the fear of moving to a new land three-thousand miles from home, the loneliness of being that far away with a three year old, divorcing an abusive first husband, the craziness of an out-of-control seventies and drug culture—I would lock the door of my house, hang up a do not disturb sign and paint or draw while listening to music. For days, I would do this, often having to tell those who stopped by, “Yes, sorry, that sign does mean you,” even when it was a new friend.



And here in the writing of this blog is where a memory brought an epiphany.

Kippy, a blue and green parakeet, was my first pet. I think I was around ten or eleven. He’d ride on my shoulder, poop on my cousin’s blonde flattop, repeat a whistle I taught him, and generally make everyone laugh. I fed him regularly, cleaned out his cage, did my best, which I admit, being a kid, probably wasn’t up to adult standards.


One day, after school, either my mom or dad forgot to bring home birdseed. Knowing that kids often don’t give their parents enough heads-up time about these things, I probably waited until the last minute to tell them I needed birdseed.



I walked to the local market and bought wild birdseed, the only kind they had. Just before dinner, as mom was cooking and dad was reading the paper at the kitchen table, Kippy started to choke. I took him from his cage. A sunflower seed was caught in his throat. I yelled for my mom and dad, raced to the kitchen with him in my hands, crying, as I watched my bird struggling and falling down. Mom continued to cook, dad read his paper. They looked over, but by the time they responded, Kippy was dead. I think I remember someone saying, "It was only a bird." Maybe not, but I heard it in my heart.



Something lodged in me that day, something that equates with how it feels to have something dying in me. I tried to feed my parakeet so it wouldn't starve, and I had the wrong food, so Kippy died. No one from the outside helped. And that’s what brought me to this conclusion as to why I disappear.



I believe that when creative people are threatened with the outcome of being a “starving artist,” it’s a way to discourage us from taking hold of our creative life. (My dad: “You are not going to be a starving artist; you will go to college to be a teacher, nurse or secretary.”) If you’re not being productive in the traditional sense, when you’re seen as selfish or self indulgent because you want to follow your art, your passion, then you're gifted a sense of guilt.



The real threat, however, is being starved of time, freedom and the opportunity to create. The real threat is not taking care of our true selves. The real threat is listening to that inner “guilt pusher” that says you should be doing something else.



In the past six months I have cracked a rib, had oral surgery, helped plan a big party for my mom’s 90th birthday, gone to that party in Florida, returned home to the worst sinus infection I’d ever had, and during this time I had to make a decision: while I healed from these various health issues, I could concentrate on writing my novel or continue to take time from that writing and blog.



I took care of myself. I met with a few friends, but stayed home most of the time and was as quiet as I could be as I worked on my novel. I had breakthroughs. I had a-ha moments. I held myself in my hands and removed that sunflower seed. I fed myself the right food.



And the irony was, when I tried to blog in November, the universe slapped me silly. My blog feed would not work. No matter what I did, I could not get Feedburner to send to my email recipients. I didn't need a clearer message. I went back to work on my novel.



Since then, life has allowed a little time, and I switched my blog email feed to a reliable one. 

Hopefully, for those of you out there who have had a rough time lately—and I’ve read and heard many of your stories—I hope this brings some kind of epiphany for you, too. Even if you are not an artist or writer, you have a creative soul. We all do. 


Last year in January, astrologer Johanna Mitchell said about 2012, “It's a great year if you’re going to change. It’s not such a good year if you can’t find inspiration in chaos.”



My discovery makes me wonder if others out there have found themselves “disappearing,” or retreating, or whatever name you put on it. I wonder if you found your creative soul or true north in all that chaos and if you took the time to feed what was starving.



So much of our time is spent in trying to figure out what to do when we really know all along what we need; for some reason it seems counter-intuitive to care for ourselves. That’s when I go back to the context of “starving artist.” It all depends on who you’re listening to.



Hugs to all,

Val





Other blog posts that you might enjoy:

Kristen Lamb's Blog


"Author Blogging: You're Doing It Wrong"
I think blogging is a wast of time.
 
"Get Rid of "Should" Once and for All"

"They Call Me the Wanderer"



If your comment won't post, email me at ValinParis (at) earthlink (dot) net. I'll post it for you.


28 June 2012

Save Your Writing Life: How NOT to Let Social Media Take Over—Part I


... Or How to Make Choices about Social Media

A few weeks ago, I rode up to the Portland Art Museum to see a David Hockney exhibit with my pal Jan Eliot.

I confessed how life lately felt overwhelming, and I couldn’t seem to accomplish the simple tasks on my list.

As all good pals do, she reminded me that I’d just finished a novel and was revising my last one and with all the work I’d been doing, never mind juggling family and a part-time job, it was understandable that I was a little “fried.”

Don’t you just love best pals?

I was also in the waiting game—six readers had my manuscript and I was waiting for their feedback. Waiting always weighs on me psychologically even though I try not to think about what the readers will say. Did they love my characters? Will they love the story? Did I miss something? How huge will the changes be? Did I blow it somehow? Would they buy this novel as a book? A dump truck of doubts will unload in my mind without permission.
So back to my pal Jan and our conversation.

My dumb luck was to actually have good timing. Jan had recently returned from L.A. and a visit to her brother-in-law and his wife who just happened to be reading The Now Habit, first published in 1989 and recently updated.

Jan said, “After talking about the book, I came away with one great rule for getting things done—do the most important thing on your list first.”

For a minute, that sounded so obvious that I was about to dismiss it. Do the most important thing first. Hmm.

Then I had to admit something to myself—I usually did just the opposite. I took care of little tasks first so I felt that I’d accomplished something right away.

A follow-up to an email. Accepting a friend request. Sending a pdf of the notes to a meeting.


I should know that little trap. A few hours later, I’ve gone from email, to the web because I just have to respond to one of my social media pals because I’m a responsible human being. Or I need to post something so important. If I’m really sucked in (and my mind has been taken over by future tripping), I watch a TED talk on book cover design because, of course, that will be important in the future if I decide to self publish.

(Ha! Admit it. Right now you’re thinking, What TED talk on book cover design?)

Jan and I talked about this big aha moment, how such a simple bit of advice seemed so important. Don’t we always have to be reminded of the obvious? Then we arrived at the museum, and we surrendered to Hockney and art.

The next day, I remembered our discussion and downloaded a sample of The Now Habit onto my Kindle. This paragraph grabbed my attention; the bold highlights are mine:

“Surfing the Internet, instant messaging, e-mailing, and the use of cell phones have added to the number of distractions that can seduce us away from our mission of starting on a major project that could change our lives. Because these new devices give us an immediate response, they have an unfair competitive edge over activities that will not be rewarded until the end of the month or—as in the case of finishing school, writing a book, or learning to play the piano—until after one to four years of intensive work. All the more reason to use the tools offered you by The Now Habit.

Bingo. I had a new rule—do the most important task on your list first.

One of his points is about procrastination, and I’m guessing here that this has to do with fiddling around with small chores before doing the most demanding because, well, it’s the most demanding. The other, I’ll bet, is about breaking habits that let us believe we’re being productive when, in fact, they’re not.

So how do I change the habit of going for the immediate reward?
(Well, not exactly)

Back to my beginnings

To answer that question (and while I read the book), I decided to go back to the beginning of my own experience in social media to understand what I’ve done, why I made my choices, and where I’m at now.

As a writer, I’m always reading about why I must be a social media expert in order to be successful. Articles abound about the topic, but I have not found many that help a writer make personal decisions about the social media that will work for them and how to manage it along with writing a novel, memoir or anything else.

I decided to approach such a big subject by breaking it down into three blog posts, kind of like a three-act structure--beginning, middle and end:

Part I (below) – Back to my beginnings. How I chose the social media that I thought fit my personality and needs, and my major screw ups.
Part II –Asking for help and making my biggest mistake. How four of my writer friends responded when I asked what they chose to do and why (Jennie Shortridge, LJ Sellers, Cheryl Strayed and Christina Katz), followed by my doozy decision.
Part III – What I’m doing to save myself, plus a few hardcore ways to manage social media and put writing time first. Ideas to vanquish demons, break a habit, and not feel guilty, plus a few tools for your toolbox for retraining purposes.

PART I

How did I begin? The usual. I just dove in.

I joined Facebook on November 23, 2007. How do I know this? Facebook’s Timeline. Great for keeping track of yourself.

From the beginning, I wanted the FB page to focus on writing. I’m not one for needing to know if a friend had just kissed a walrus or ate a nouvelle cuisine worm pie. (Sorry, but sometimes posts do seem this ridiculous.)

At the time, I was at a month-long writer’s residency at Vermont Studio Center. Two friends, Randy Sue Coburn and Cheryl Strayed, posted on my page. I think I had six friends in all. I started out with the right intention, to make Facebook focus on my writing. My first “like” was PBS. Good start.

But then came the social media gurus, the people who tell you that, as a writer, you need to build a platform, to “brand” yourself online so that you become known before you publish. Then that fan group will purchase your book.

I confess: my mom once said, “Valerie, you’re a good girl who wants to be a bad girl.” I think she meant I do what I’m supposed to do until I smack my forehead and say, “This isn’t working for me, People!”

Years went by and, like a good girl, I joined Twitter, two Yahoo groups, and LinkedIn. I joined groups within those social networks and the next thing I knew, my email box was flooded. I was following blogs, I’m clicking on links that have to do with how to encourage followers, how to e-publish, the pros and cons of self-publishing, how to use key words, etc. ad nauseum.
 If I were still a pirate, I would be yelling, “Arrrrrgh!”

Oh, what the hell. “Arrrrrgh!”

Soon, I was creating folders for articles I needed to read but didn’t have time for. Soon, I was dreading my email because I felt guilty because I couldn’t keep up. Then I received two abusive responses on LinkedIn for a post of an article about Amazon.

What in heck was I doing?

None of it helped the writing. None of it gave me that gorgeous imaginative space for creation. None of it inspired me.

I was fractured.

What happened next?
Tune in for Part II, next week, when I do something really stupid.

Until then, walk around a new neighborhood, fill your lungs with fresh air, clear your head, and escape into that magical zone of daydreaming.

And if you, too, have something to confess or can guess where this is going, leave a comment. I’d love to hear what you’ve been through, how you began.

Let your naked thoughts and confessions find respite here.
Hugs,
Val

COMING UP AFTER Part II & III:
Where I work. A photographic peek into my writing spaces.
A confession: What happened after my six readers responded to my novel.

And thanks, Jan, for your fun comic strips about the 40th Birthday of Title IX! Check it out:

19 April 2012

Why I Haven’t Blogged in Over Two Months


            First, my heartfelt thanks to all of you who responded to my last post, “Being Cheryl Strayed.” You energized me. You made me believe in myself again and my writing. When I read your comments, I wanted to reach out and hug you all and let you know how much I believe in you.
I hope you’re all still digging deep for that authentic self, the one you always carry, the one that sometimes gets layered over with other people’s expectations, perceptions, and needs. The one that gets lost in our modern world, the world that keeps us so distracted we forget who we are and what makes us powerful creative beings. A toast to all of us.

            Now to tell you what happened after I wrote my last post. And it wasn’t what I expected, not by a long shot.
I truly expected to have a mega burst of creative energy. I was raw, open, and a little scared, but raring to go, especially to finish my novel.
            Instead, I found myself drop kicked to the ground. I just couldn’t get up. I couldn’t find the energy to write, to keep up with my responsibilities, to even be excited about the novel. What was wrong? What was happening? When I finally dragged myself to my feet and examined myself, I had a whole new problem to figure out and another layer to dig through.

            It was morning, a few weeks after the last blog post when I dragged myself out of bed and realized I was anxious and depressed. I’m not one to be depressed. It’s just not me. I took my usual half hour to wake up, my usual easing into the day. Dan was downstairs, drinking his coffee and reading the paper. He knows not to talk to me first thing and woe is he who asks, “What should we have for dinner tonight?”
            I stumbled around, heated water for tea, and tried to remember what my last thoughts were before I fell asleep and what I’d dreamed about. I often use sleep and dreams to solve problems. When I’m fully in tune with myself (happy, excited, adventurous, expectant), I go to bed with a story problem and sometimes wake up with a solution. My dreams are vivid, Technicolor, intense, full story dreams with a beginning, middle and end. Sometimes they are simply stories. Sometimes they are a collage of recent personal events and fears, or my fears for the world. Before 911, I had, like many people did, dreams of being in a tall building that was crumbling around me.
            But that morning I couldn’t remember anything about my dreams or what I’d wanted to process before I fell asleep.
While my tea brewed, I wiped down the sink, put dishes away from the night before, and read part of the paper standing up at the counter. I grabbed pencil and paper and wrote down a few groceries we needed. My fuzzy morning brain was waking up, but I wasn’t happy. I plunked down on the kitchen stool. When was the last time I was happy in the morning? When had I last woke up feeling excited, adventurous, expectant? I couldn’t remember.

Okay, the best way to push through all this was to prepare for the day. I flipped to a new sheet of paper and decided to write down what I would do that day. I started a list:
Write a blog post.

Then it came back to me, what I’d gone to bed mulling over and worrying about—I could not come up with a subject to blog about.
I’d never had a problem writing this blog. Never. I did think about what my readers would find interesting, but for the most part, my topics came from what I found interesting. Readers would find it worth reading or not. Sure, I worried about execution, the old “Can I pull this off? Or will I sound like an idiot?” I didn’t worry too much about the last part. I’ve sounded like an idiot before and it didn’t kill me.
Okay. So the problem was a topic for the blog. Easy then. Quit trying so hard. I could do a follow up to the reader comments from the last entry. I’d take the “Being Cheryl Strayed” to another level. I wrote that down on my list. I could write about my decision to drop the pirate persona, how I now found it tedious, and I’d explain why.
Nah, that wasn’t even interesting.
I took a deep breath. My mind was all over the place with ideas but I just couldn’t get excited about any of them. Okay, don’t panic. I’d set that aside for the moment. I would make a list of everything I needed to do and start working on that. Crossing things off a list was always therapeutic. I wrote:

Check your Facebook page because you’ve let that go.
You forgot to check ValinParis account for comments.
Post the Cheryl Strayed piece to Women Writing the West Yahoo users group.
Set up Hootsuite; need to follow hashtag groups.
Goodreads—woefully out of date!
Go through all your email; needs attention!
Respond to SheWrites messages and post to groups.
Write the column for Books By the Bed.

I set the pencil down. I felt a little sick. I stared at the list.

Internet.
Internet.
Internet.
Internet.
Internet.
Internet.
Internet.
Internet.

I took my now cold tea to my writing room and stood there, looking at my library of novels and reference books, the stacks of literary magazines and the binders full of research. A partial manuscript was tucked in my laptop bag with all my revision notes.
Reading area in my writing room

What used to make me happy, excited, adventurous, expectant was writing. Writing fiction. Why wasn’t I devoting every waking—and sleeping—moment to finishing my novel? That’s what I used to fall asleep with—characters, story, plot problems, structure possibilities. I know I can’t do that all the time, but I remember when I’d wake up in that fuzzy first hour, noodling ideas and excited about perhaps a scene I needed to finish.

Internet.
Internet.
Internet.
Internet.
Internet.
Internet.
Internet.
Internet.

That’s why I couldn’t move, couldn’t be excited, was depressed. I’d been letting all this online networking and social media—creating a web presence, as they call it—take over. What was the use of having all this “presence” if I didn’t have a finished novel? What good did it do anyway? Who were these people who said you had to have a web presence if you wanted to be an author? Who were these gurus who insisted that this new world of publishing demanded an author FB/Tweet/blog/Google+/Klout/Pinterest, etc.?

I drank my cold tea and pushed away that old Puritan who said, “How dare you question authority.” What authority, I asked? I used to work in advertising and marketing. I understood the old caveat emptor warning. So I asked myself, Who is selling us on the idea of all this social media and internet marketing?
I don’t begrudge anyone the opportunity to recognize a need and create a service to fill that need. They have to make a living and they do give away lots of good info before asking you to buy something. I subscribe to three of these social media gurus e-newsletters, so I asked myself, What roped me in?
 Use of their urgent language? Use of their authoritative tone? The fear of not doing it?
“If you don’t do this, you won’t succeed.”
Well, maybe. But does anyone have the numbers to prove this? Sure, I want to be successful. I want to be ready for the moment when my book is published. But what price am I paying?

            If I’m sacrificing my happiness, my creativity, the immersion time I need to write, if I don’t have time anymore to read other novels, why bother? I’d even dragged these demands to Colonyhouse retreats because when you’re on that many sites, you have to keep up on a daily basis. You have to get online and be “present.”

            No, I said to myself that morning. Not if it means you can’t be fully present in your writing. In that wonderful creative half-awake state that morning, not once had I thought about my novel.
            Not once.
I had to do something drastic.

So I did. I dropped all my social media activities and went on a blog hiatus. Just like that.
Once again, I was back in the land of the writer. I went to bed with my novel, woke up with it, noodled it in the car, devoted myself to it for a month, and fell in love again. The novel grew stronger and deeper with this immersion; the writing was some of my best.
I finished April 1, the deadline I’d first set for myself, and that’s not an April Fool’s joke. The novel is now out with five readers and I’m happier than I’ve been in … damn, I can’t remember when. Probably sometime before I dove into the social media. Even Dan has commented on how much happier I seem.

            I've heard the argument for balancing both, limiting my time online, giving myself one hour in the evening, etc. etc. But let’s be honest. How many of you have been online for an hour? It’s more along the lines of look at the clock and gasp because three hours have gone by. And never mind trying to return to your writing, fully present in that. No, you’re concentration, that precious immersion in story, has been infected. With internet.

            As many of you know, the gift of being a writer is the joy of noodling an idea, slurping it around the mouth, playing with the creative food. It’s about immersion. When I’m writing, even the bad days are good. Even when I’m writing drivel, the days are better than anything else.
            I did have pangs of guilt for not being on all those internet sites I’d joined. But it didn’t depress me or make me anxious. After the novel was done, I decided to clear up my writing room, weed out saved articles and old magazines. Spring was in the air and I like order. As I went through articles I had saved, I came across one that took away any residual guilt about my dropping out from the internet.
The article, “Inner Space: Clearing Some Room for Inspiration,” by Frank Bures examines the same problem I’d been dealing with and that many creative people face. When I was online every day to do my social media, I had what Bures admitted he developed, what researcher Linda Stone calls “continuous partial attention.”
Continuous partial attention.
Lake Winnisquam
Ping! I couldn’t stay in the story or daydream or be in the warm fuzzy creative space upon waking. My focus was chopped up into too many small bites. I yearned for my childhood days when I would spend hours sitting under a tree beside Lake Winnisquam, making up stories that I’d spin into words later on paper.
Don’t get me wrong. I’m organized. I have systems. I keep great files. I’m pretty good at time management.
This, however, is something entirely different. Overuse of the internet slices and dices your brain. It damages your focus, your creative headspace.
So here we are in this modern tech age when we are expected to be online every day to create a presence and it’s rupturing the connection to our creativity? And what of our writerly isolation and prolonged sitting? (Lots of new info on how dangerous that is.) I know I have even more reason to limit that “online presence.”
I do love my online communities, the amazing, helpful, wonderful people, the great resources. But I will from now on be absent when writing and promise to give you a heads up.

And yes, I finished my novel. Relief! Happiness! Fulfillment!
For fun—after the novel was done—I ran the first page of it through the website “I Write Like …” and came up with David Foster Wallace. Yes, go ahead and play with the site. Drop a chunk of your writing into the box and see who pops up. I wanted my writing to be like Margaret Atwood’s, but David’s would definitely do.

I’m celebrating, both the finish of my novel and my new freedom. You’ve been with me for almost a year and a half, given me support and courage, and for that I’m giving away a copy of Cheryl’s memoir Wild. If you leave a comment, your name goes into the hat. Either use the comment box or send to the ValinParis email.

Also, I would love to have your reactions to my story. Do you have similar stories and concerns? What are they? Have you experienced a negative effect on your writing from being on the internet? Or not? I’m really curious. I know we have to market our books once they’re published, but is all this social media necessary and does it work? What do you refuse to do? What do you think is really necessary? How do you make those decisions?

Thanks again for being there, for reading this. Please join the conversation. In the meantime, ask yourself this: what is running around inside your head when you wake up? Does it make you happy or anxious? Why?

And for your information, I won’t be blogging weekly. I’ll blog when I’m inspired and want to reach out to you.
Until then, hugs all ‘round.
Val

p.s. If anyone heard the NPR Morning Edition story about this same subject/issue, please let me know when you heard it and if there's a link to it. I didn't hear it, but was told about it. Thanks!

Also, if you're interested, check out the books I'm reading, Books Beside the Bed, at We Wanted to Be Writers.


31 January 2012

The Muse is Back and Dishes Inspiration


Hello, everyone!
Sparrow here, Captain Val’s muse. Thank you for all the support you’ve given her lately and, new pirates, welcome aboard the Gobsmacked.
I’m once again filling in for Captain Val as she is a tad bit overwhelmed (taxes, polishing her novel, family, a short trip to Ashland, and, well, life). For those who remember my last post (read it here), she did apologize for calling me flighty. I’m not upset anymore. She needs me. And what’s a muse for?
            Of course, now I have to think of something muse-like to write about. As my role is to inspire and sprinkle some kind of writerly fairy dust, I decided that perhaps the lot of you could stand a little sparkle also. It’s January, it’s winter, the holidays are over, and don’t you feel a little … well, just a smidgen in need? of encouragement? of love? of inspiration?
            Good. Now that’s settled, let’s start with a bit of humor, sent by Kathryn Lang and found at Jason Love’s website.

            Isn’t it refreshing to see that writers can make fun of themselves—well most of them. I do understand your angst. We all have it. But if writing is like dealing with cancerous tumors, as one writer told Captain Val, stop writing and become a pilot or a nurse, anything that gives you joy. Life is short!
            Now, onward to inspiration.
I am not a writer, just a muse. So I turn to others, your kin, with their words of wisdom. Think of what I offer as your very own goody grab bag.

            Let’s start at the beginning. 2012. How did you approach the new year? Resolutions? A to-do list of all the things you want to fix or make or change? Now that we're in the year of the dragon, let's do something auspicious. Ellen Goodman has a the right idea.
"We spend January 1st walking through our lives, room by room, drawing up a list of work to be done, cracks to be patched. Maybe this year, to balance the list, we ought to walk through the rooms of our lives ... not looking for flaws, but for potential."
Potential. I like that! Thank you Becky Green Aaronson for posting this.
Barbara Sullivan, Captain Val’s go to advisor on all things literary, uses this idea of potential when guiding her through a rewrite. I paraphrase here:
Don’t look at what isn’t working. Read through your novel. Look for and highlight all the passages, scenes, descriptions that knock you out. The ones that cheer you as in “I can’t believe I wrote that!” That’s the good stuff you want to tap. That gives you the potential, the scaffolding, for everything else.

            Captain Val’s crewmate, Chris Scofield, sent this quote from Josephine Demott Robinson, a circus performer in the first half of the 20th century. Her advice not to let failure deter you is sound and is the idea that you need to encourage your efforts. Like the inferred note of self-assessment too, not so bad, a little more practice and you'll get there, an applicable bit of inspiration for everyone. For writers, this can be what you need during each rewrite.
"Never mind if you fall far short of the thing you want to do, encourage your effort. If no one else will say it to you, say it to yourself. ‘Not so bad.’ It will make the next effort easier and better."
            Do you encourage your efforts? Do you give yourself credit for every growth jump you take? Captain Val doesn’t wait to publish before she rewards herself. She rewards the levels of efforts it takes to get there. If she finishes an application to a residency, she celebrates. If she finishes a first draft, she celebrates. Every rewrite, every move to the next professional level is cause for celebration according to her. (Yes, she does like to celebrate!)
           Another bit for those who love the crazy free-spirited Jack Kerouac. In 1958, he wrote a letter to Don Allen and included a 30-point list of “essentials” that he titled “Belief and Technique for Modern Prose.” You can read the entire list on Lists of Note, but here are numbers 14-17:

·  Like Proust be an old teahead of time
·  Telling the true story of the world in interior monolog
·  The jewel center of interest is the eye within the eye
·  Write in recollection and amazement for yourself

 The ultimate inspiration for February and the Year of the Dragon? Kristen Lamb’s treasure chest blog Warrior Writers offers “Three Steps to Freedom: Grab Hold of your Brilliant Future.” What a title! And this is not just for writers. Everyone! Read this. Please! Here’s a taste:
This blog is dedicated to helping writers holistically. We are more than robots sitting at a desk pounding out word count. We have hopes, dreams, fears, bad habits and baggage. …
Three Lessons of Confession
Confess the Real Emotion—Name It and Claim It
One of the first things that offered me a new sense of empowerment was when I learned to confess the real emotion I was feeling.
Click here to read this blog: Kristen Lamb’s WarriorWriters

            Ah, there’s my call to duty. Seems as if the Captain needs me for a few hours while she polishes her novel.
My inner child at the moment
             BUT before I go, I want a word with the guy who wrote “Housebreaking Your Muse.” I beg your pardon! Muses are not DOGS! How demeaning! Muses everywhere demand an apology. I know you were trying to be cute, but muses are energy, light, intuition, not a bad pup that needs its nose rubbed in its pee. It’s the writer who needs training, focus, meditation … whatever! Muses are always there for our captains. So, please! No more!
            Sigh.
            Again, gentle readers, thank you for letting me be here. Captain Val will be back next week.
            In the meantime, what inspires you? Can you see the potential instead of what doesn't work? In fact, tell us how you're going to change your outlook, how you'll approach your project from now on. Will you now approach your writing with a fresh new attitude? What will you do? What will be your reward for the first step you take?
            Oh, what fun! Captain Val would love to hear from you, and you don’t need to be a writer to do this. I think February should be The Potential Month, See the Possibilities Month. Now I’m excited!
            For now, until next time, much love,
            Sparrow
 p.s. And don't forget to call on your Muse for help! (But please, don't use a dog whistle.)

Coming Soon!
Captain Val Throws a Creative Soiree with her Crew
Waiting for Wild and Why I'll Read Everything Cheryl Strayed Writes
How a Research Trip to Paris went Aground and What Saved It

31 August 2011

When Writers Run Aground

            It’s been a tough few weeks for my fellow writers, friends and family. Short version: a sister who has separated from the love of her life; a close creative friend having a daughter post a blog about all of mom’s perceived failures as a mother; a dear friend and accomplished novelist who has had her editor reject the latest novel while all along saying she loved it; and our oldest granddaughter, well, for lack of a better way to say it, going to the dark side.
            Ai, we all face a stream of these situations at times, and the combined heartache loads us down too much to be creative or funny, and we have to wait out the storm.

            But when the storm sends a giant wave that hits our writing broadside (like a lying editor) you fear you’ll sink. The publishing world is cruel, no bones about it. Writers pray to Neptune to manage the difficult waters. Our fear is we’ll be at sea and Neptune will have a hissy fit, strike the ground with his trident, and capsize our ship.
            But most of the time, the damage is to the psyche. Remember being picked last for a baseball team? Now picture millions standing there, waiting to be picked for their writing talent (or marketability, as the case may be). It’s not hyperbole when people tell you getting published by a New York publisher is like winning the lottery. I often think that submitting a new novel to an editor is like taking a lovely new puppy to the vet, and the vet says, “I’m sorry, your puppy is not as cute as the others I’ve seen,” then after examining your dear pup, adds, “and your puppy needs a major operation, and I’m not sure which organ needs to come out for your puppy to live.”

 
            This is how we often interpret editor’s feedback on "our baby." In order to stay afloat, writers rely heavily on the advice of our fellow shipmates as to what to do. Unfortunately, no matter our skills, our background, our connections, we can’t control outside forces, we can only manage how we deal with them. There's no map to the right route. And sometimes that results in wailing and crying and cursing, because who is going to tell us with any accuracy what is wrong with our puppy and what organ needs extracting? Or even if this is an accurate diagnosis? Add to that our new publishing world and all those personal and family storms and we're lucky we can launch at all.

            However! I believe it’s you, reader, who keeps us going and will ultimately determine what speaks to you and who saves someone’s puppy. As one dear friend said, "Picture your novel on someone's bedside table," and I do.
            My heart goes out to all creatives, for we live in times where GDP trumps GNH (Gross National Happiness in Bhutan). Ultimately we are alone in dealing with our shipwrecks, our storms, and the attacks. But in the world of writing and creating, our fellow crewmembers keep us from jumping overboard.
            And with that, I direct you, mates, to this blog entry, “Creativity,” by my brilliant friend Barbara Sullivan. I think it speaks best if read aloud because it connects the two body parts, heart and brain, that can never be extracted.


            Until next time, when rocky shores should be and hopefully are miles away, I am with you,
            Captain Val 

COMING UP!
Fashionable Writer-Pirates: What They're Wearing This Season
Readers Beware! What you need to know about reviews and recommendations
What it Takes to be a Writer

And … an unusual interview with cartoonist Jan Eliot of “Stone Soup”