Showing posts with label Oregon Writers Colony. Show all posts
Showing posts with label Oregon Writers Colony. Show all posts

01 April 2015

5 Ways to Inexpensively Create a Standing Computer Station—and Add Years to Your Life

Long before I heard “sitting is the new smoking,” I knew I was killing myself. As a fiction writer, I’d sit for hours, immersed in a story with no sense of time. When I did take breaks (to make a cup of tea or hit the bathroom), I’d stretch and do breath work, but I still had to go to a massage therapist to work out the kinks. But as time went on and the computer became even more of a shackle with the internet, webinars, and research, I found my muscles not as easy to use in dance class and my ability to stretch shortening.

When I started having trouble rising from a sitting position, I knew I had to change my habits, so I looked online where I found a number of great tables that converted to standing, but were too expensive.

The solution came when I started writing in a Barnes & Noble cafe and moved from the short tables to the tall. I found I could stand, on and off, for the five hours I was there. That gave me ideas, and now I stand and work more than I sit. Standing also reminds me to stretch and breath and move. An added benefit is I don't hunch over.

Here are five ways you, too, can create standing stations or find places to write with standing capability.

CAFES
I often write in cafes as it takes me away from phones, laundry, dog, husband, etc. The first photo is of me standing at one of the B&N tables. The second photo is at Cafe Vero, an old Victorian house, where Sonny the owner put in a shelf along a hallway and included a strip of plugins. The chairs are high, the counter just right for standing.


At B&N
Cafe Vero
Tip: start out standing for a short, comfortable time period and increase as you get used to it.

REGULAR TABLES
Everyone has a regular table at home. 

I often attend writers retreats at Oregon Writers Colony’s Colonyhouse. Because I was desperate to stand while working, I first stacked oversized books from their library on the dining table for a pedestal effect, but the books were cumbersome and not sturdy.


Then I remembered my mom’s lap desk we’d stored at the house. This is the easiest conversion as it’s portable, folds up, and goes with me to Colonyhouse. Bed Bath & Beyond carry them for around $12-15. An additional feature of this lap desk is that the top adjusts for a slanted surface, perfect for writing with pen and paper, say for example, when you’re editing hard copy or writing in a journal. Also works when reading a magazine or book.

Tip: to make standing easier on your feet and back, buy a gel pad for the floor. You can find these in the kitchen section of many stores as they are usually used on tile floors in front of a sink or food prep area. Mine is a GelPro.

EXISTING SHELVES OR COUNTERS
I fortunately have a shelf in my writing room that’s perfect for standing and gives me a beautiful view out the window of our front yard. I use this when I’m working on my laptop and don’t need two monitors. Almost any shelf can be used like this if one is available. 


A shelf under a window can easily be constructed out of shelf brackets and a board. At your neighborhood home improvement store, they may even have something already available. Look for, say for example, a shelf that normally holds potted plants. Or ask for help on something that could easily be anchored to the wall.

REGULAR COMPUTER TABLE
If you’re working at a regular computer table, one that has a back shelf for an external monitor and a pull out extension for a keyboard, you’re in luck. This type of computer table is usually  inexpensive to buy or can be found at second hand stores like St. Vincent dePaul. I often need to use both my laptop and an external monitor when creating a blog, doing research on my novel, or watching a webinar while taking notes.
 

When I'm sitting

When I'm standing

I was at a loss, at first, as to how to convert this area for standing. But then I thought that, if I had a way to raise my laptop on the pullout shelf, I could stand. Unfortunately, the lap desk was too big for the keyboard-size pullout, and piling books would be too heavy, BUT if I had a smaller version of the lap desk that would fit the pullout shelf, I could make it work.

With my husband’s help, I drew up dimensions for what looks like a little footstool, and my husband made it in his shop. It’s even a bit fancier than what I’d asked for, but if you have a handyman or woman around who can cut out plain shapes and screw them together, you can do this, too.

As you can see in the photo, I use my laptop on the pullout with the mini-table, and I change the external monitor’s slant so it slants upward. Now I can see both monitors while standing, although I have to use my laptop keyboard instead of the ergonomic.

Tip: To make up for not being able to use my ergonomic keyboard, I found a great accessory that helps with my hand position and keeps my laptop from overheating. Made by Road Tools, the Podium CoolPad goes with me everywhere. It adjusts in height and swivels, letting you use it slanted up or down. At the B&N tables, which are high, I use it slanted down so I don’t crimp my hands.


OTHER POSSIBILITIES
Search websites for "standing computer stations." I’m not familiar with this site, BizChair, but they offer this inexpensive laptop table that’s portable and moves. My only concern would be the rollers causing it to move, something that I wouldn’t want, but might be OK if the rollers locked or the table was on carpet.

If you like your standing station solid and made of wood, podiums, like the type used in classes or for presentations or even churches, are often the right height for a laptop. They also usually have a nook for storing small things, something I need when working as I usually need pen and paper and my cellphone. (I use my cellphone for a timer as it keeps me aware of how long I’ve been writing and standing.) If you frequent second hand shops, ask the owner to keep an eye out for a podium or computer desk and to call you if one comes in.

Drafting tables or graphic design tables, although large, can be adjusted to a standing height. I don't think they’re as popular as they used to be because most drafting and design are done on computers, so it’s possible there are a number of them out there no longer in use. Maybe a school or college would be worth checking out?

Don’t forget your friends and family. Let them know what you're looking for, either via Facebook or email. Check sites like Craigslist. If you have a friend who works in wood, maybe a swap is in order.
A panorama of my writing room

Tip:  I bought my Mac ergonomic split keyboard from the folks at The Human Solution and their service is beyond compare. They sell amazing desks and chairs, too. Even for my simple questions about a keyboard, they responded quickly and checked on me after they responded. Someday, when my ship comes in, I’ll buy a set-up from them.

ONE LAST SUGGESTION
Keep moving! I love to dance and my body loves me for it. I keep a few YouTube videos for taking a break. Since I’m already standing, it’s easy to play one and move for ten minutes. My feet always say thank you!

I Love Zumba: One of my Favorite YouTube Channels

WHY SITTING WILL TAKE YEARS OFF YOUR LIFE
If you
’re wondering what all the fuss is about sitting, this article explains the research behind the perils of sitting for long stretches of time.

7 Ways a Sedentary Lifestyle is Killing You

Sitting will kill you isn't exactly a happy message. But just as with the days when we used to smoke, ignorance is not bliss. So I leave you with this.

Keep dancing, keep writing!
Hugs,
Valerie

What’s next on Gobsmacked? A peek at my writing life and a giveaway, with an emphasis on Paris.

21 August 2011

More News & Confirmed Gossip from the Writing World


Ahoy, Buccaneers!
            Busy on the high seas this summer? Ai, me, too.
            This past weekend I was shanghaied by the Oregon Writers Colony crew to work at our annual Founder’s Day Celebration in Rockaway Beach. Saturday morn we offered a class on publishing non-fiction. After the noon meal, we gathered for a reading at the library followed by the dedication of a poetry pole at Colonyhouse, our OWC home. Sunday, fifty-five writers took over City Hall for presentations, book sales, good eats, and round table discussions. Here be the highlights according to yours truly:

At the Rockaway Beach Library

            Library readin’s began wi’ Barbara Corrado Pope (Pirate Award here for her name). She talked about research she did for her new novel Blood of Lorraine. She’s a right fascinatin’ woman with a bounty of information, no bones about it. Here be an interview with Barbara, if ye be interested in anti-Semitism in 19th Century France following the Dreyfus Affair—oh, and a murder mystery. The story, besides being a damned good yarn and set in France, examines how suspicion and prejudice can seep into even those who fight against it. Forsooth, I be gobsmacked with her detail of place, a writer’s jewel of “place as character.”

            Oregon Poet Laureate Paulann Petersen followed Barbara.
Photos  by Sandy Schmidt Wilson
            Ai, I be a pirate who loves poetry. As a writer, I chum me prose by reading poetry, lovin’ it for its musicality and imagery. Paulann be everything a PL could be—gracious, classy, great sense of humor, and a Buddhist stillness combined with a brilliant mind and creative blood. I bought her first collection. But before reading her poetry, she offered this quote from Meister Eckhart:

"When the soul wants to experience something, she throws out an image in front of her and then steps into it."

Shiver! And not me timbers.
            Later, she dedicated our Colonyhouse poetry pole. Not familiar with poetry poles? They hold sheets of poetry for those hungry for a slice. Just drop by and take a page.

On Sunday
            Sunday at Rockaway Beach City Hall we opened the official Founder’s Day with author Bill Cameron. Blimey! What a funny bloke. A true pirate, that man! Readers can see his funny bones in the first few things he threw at us writers, includin’ this gem in the intro:

Writing is like religion; everyone has their own beliefs, so nay to right and wrong. Adopt what works for you. (I’m paraphrasing here, so correct me, Bill, if I’m a rogue and got it wrong.)

            Here be a few of titles of his “rules,” copyrighted, and small wonder:

  • Misery begets plot
  • Weakness is Your Plaything
  • Loss is Character-Building

            If ye be a writer and interested in his two page pdf with all the “rules” and a few good writer’s tips, go to his website, contact him and ask for Whydunit_2p.

            Next, I sail the internet where I hear the latest on a few of me favorites.

            Chris Bohjalian as posted on Facebook August 18th:

Today Lifetime is filming the "Secrets of Eden" Stephen Drew/Alice Hayward love scene.

             His latest novel The Night Strangers is a creepy ghost story.

            Alice Hoffman according to her page:

All the cover photographs on my new Kindle releases on Pisces Press are taken by me. I love making bookcovers!

Here be a few—

            Maties, what do you think of the covers?




            As a Francophile, I share Cara Black’s love of Paris. I gobble up her mysteries which are set there and have had the greatest fortune of spending time with her one afternoon and sharing our giddiness over the City of Light. The other day she posted this link on FB:


Here at home …

… with me very own critique group. Huzza!

            One of our crew has boarded the agent ship of Donadio and Olson, a NY topnotch literary agency. They say her voice is one of the most original they’ve read. Our-member-who-remains-anonymous is waiting to hear about her first novel that’s out with editors as I write. Her agent is not only taken on her novel, but she’s looking at her short fiction and has offered to help her with social media. Here’s a treasure chest if I ever!! I can’t tell you her name—YET—as we writers tend to be superstitious about announcing anything until the check is in hand (and even then, we still are wary). So cross fingers and spit.

… with me best pal
            Jan Eliot, creator of the syndicated cartoon “Stone Soup,” will be traveling in November to Haiti with Jimmy and Roslyn Carter for Habitat’s Women Build. She’s been on a Women Build project in Thailand. Habitat uses her cartoon characters in their promotion. What a buccaneer! The question: does that mean Grandma in her strip with be travelin' to Haiti? Ah, me thinks she might.

… Your Captain’s News
            This week I be off to the fine port of Waldport, Oregon to seek privacy for four days with a writer pal. I be headin’ into the final chapters of me novel and will immerse in all things non pirate to bring to life my last climactic scenes.

For now, I tip me hat to ye all. Thanks for bein’ on board and sailin’ w’ me. You’re a mighty fine crew!

Yours through storm and smooth sailin’,
Captain Val

COMING UP!
Fashionable Writer-Pirates: What They're Wearing This Season
Readers Beware! What you need to know about reviews and recommendations
What it Takes to be a Writer


And … an unusual interview with cartoonist Jan Eliot of “Stone Soup”

03 August 2011

Runnin’ for Me Life: Tsunami! Part 1


Me alter-ego, Writer Val, tells this true tale:

           The June day was what the Brits call brilliant. Blue sky with powder puff clouds, sparkling ripples of ocean waves, an almost-deserted long stretch of beach. My face had that just-right sun-kissed pink from sitting against a driftwood log for a half hour, reading John Daniel’s Rogue River Journal, after finishing a day of writing. Once again, I was luxuriating in a writers’ week at Colonyhouse, the Oregon Writers Colony house at Rockaway Beach, Oregon.
            After the beach, I ate a simple dinner and then decided to call home. Fellow writer Grace Castle was fixing a salad as I walked outside to call my husband. At eight o’clock, the June evening was still sunny and warm, and I faced a tranquil ocean. Dan and I were talking about our son’s job when a siren sounded, one that made my arm hairs stand up.
            “Can you hear that?”
            Dan said, “Yeah. Maybe there’s a tsunami coming.” He was half joking.
            When the siren shut off, I said, “Whew. That must have been a test.”
            We picked up the conversation where we left off, but half a minute later, the siren sounded again and this time stayed on.
            “I need to hang up. This is serious.”
            Inside, Grace was about to eat her salad.
            “The siren. What do you think?” I asked.
            Outside, nothing had changed. No cars. No people fleeing. Grace said, “If it’s an emergency, we’ll find out soon enough.”

            The sharp wail continued and sent me scurrying to the coffee table and the new tsunami brochures. Nowhere did the brochure say, “When you hear an ear-splitting alarm, run for the hills.” My reptilian brain said “Flee!” but my rational side said, “Don’t be wimp. It’s just a drill.”
            I called three numbers listed on the pamphlet and reached, “If you know your party’s extension. …”
            Grace calmly ate her salad. “If it’s not a drill, someone will come by and tell us over a loud speaker.”
            At that exact moment, an emergency vehicle drove by, lights flashing, speaker system on. “Evacuate your homes! Tsunami warning! This is not a drill!”
            Evacuate? Tsunami? Television images of the Asian tsunami flipped across my brain.
            Grace and I grabbed laptops, tennis shoes, purses, blankets, and jackets. “We’ll take my car,” I said as we ran down to the road where the cars were parked. I had water in my trunk.
            As I pulled away, I tried to remember where I saw evacuation signs. Which road would take us up the mountain? Before we turned onto Rt. 101, the emergency vehicle made another sweep of the area, and I flagged it down. “What road do we take?”
            “Turn left onto Sixth.”
            We did. Cars were leaving Sixth. It was a dead end. From a car passing us going in the opposite direction, someone yelled, “Third Street.” We turned around.
            The siren continued to shriek. When we reached Third Street, the town seemed to be funneling up the road.
            Up ahead, people left their vehicles in a church parking lot to walk up the hill. No one was giving directions on what to do. I wanted to go higher, but we came to a crawl as people walked in front of us. I decided to park along the road between the church and the fire station as no one seemed to be driving to the top of the hill. Grace and I put on our sneakers, grabbed coats, blankets and shoes. We decided to leave our laptops in the car. But what about the water? The family in the car in front of us was making similar decisions on what to take while one of their girls sobbed uncontrollably in her father’s arms.
            Grace and I couldn’t lug the water, so we locked up, and joined the fleeing townspeople. One man had a cat wrapped inside his jacket. An elderly couple, both frail and white of hair, trudged silently beside us, the woman following the man. Neither carried anything. Someone had a radio handset so I asked what he was hearing. “We can’t hear anything. The frequencies are jammed, overloaded.” A man behind us said a Northern California earthquake was expected to cause a tsunami forty to forty-five feet high. I noticed a uniformed woman speaking on a radio and walked over. “How high are we right here?”
            “About forty feet.”
            I looked back at the ocean. Not high enough. I began tallying up everything we needed and didn’t have: water, flashlights, protein bars, warm enough clothes, waterproof matches, water purification tablets, first aid kit, candles, everything I keep at home.
            My cell phone rang. “Where are you?” It was Dan. “I can’t believe I … … … Kristy just called from Portland … … … was being evacuated.” I told him what was happening and tried to reassure him we’d be okay, but the reception died. Grace tried to call out on her cell, but no signal. I thought of loved ones speaking to people in the Twin Towers before they were cut off forever. Grace and I put our phones away and kept walking.
            We continued our climb and learned from others that the whole coast from California to Vancouver, B.C. was being evacuated. “Where was the quake?” I asked. Northern California, someone said, Eureka, no Yreka, no Brookings. On the border of California and Oregon. The tsunami was supposed to hit our coast around 9:26 p.m. I checked my watch. Only 8:23.
            “This is what you could call an adventure,” Grace said.
            “If we survive, it’s an adventure,” I said. “If we die, it’s a disaster.”


* * * * *
            Ai, me beauties, it’s not over. The tale continues next week. And even then, it's not the end. There's another story that raises the arm hairs.

          Until then, me maties, stay strong and bless the sea,
          Captain Val


COMING UP!
Runnin’ for Me Life:  Tsunami! Part II
More News & Confirmed Gossip from the Writing World
A Fast Getaway in the Middle of the Night

And … an unusual interview with cartoonist Jan Eliot of “Stone Soup”

23 February 2011

Storming the Publishing Galleon

Comment from Captain Val-- 23 February 2011

            We are anchored in seas far from the Horn of Africa and those who give our name dread. Pirates have, in the literal sense, robbed and plundered other ships for centuries.
            But our ship, this wordy wench, serves a different mission and flies a metaphorical flag. The word pirate derives from Middle English (peira) meaning “an attempt, attack.” What we attempt is exchange: your time for our words, whether they be fiction or non. We use words for cutlass and gunnery. If we attack anything, it will be preconceived ideas. We may roust ya from your comfortable beliefs or capture your romantic heart with a swashbuckling adventure. The mission takes a lifetime. No retirement for a pirate of our ilk. We bloody well die with pen in hand or keyboard on lap, but if we kill you at all, it will be with a tale so utterly tremendously moving, you’ll go back and read it again, because in the emotional pain you found a key to the door you closed on yourself many years ago. 
 As pirates, we offer only discovery.



So on with the story ...

           Mates. Be warned. This will not be a pretty tale.
            I’m talkin’ about this pirate’s personal adventures in raising the Jolly Roger on an elusive, tricky, constantly changing ship—the Publishing Galleon. If ye have the fortitude for hearin’ this, read on.

            Writin’, for the most part, is a most joyful art. Nay, I didn’t say easy. I’ve heard it said that anyone can write, unlike painting. Whatever landlubber said those words should be tossed to the sharks. We’re not talkin’ drivel, mates. Years have passed learnin’ the craft in classes and workshops, applying for awards and residencies, attendin’ conferences, learnin’ all that has to be learned in this profession, reworking a fifth—and not last—draft, pages after pages never used, days of research for one bit o’ detail. You don’t just “be” anything. It takes education, experience, practice, mistakes, failures, successes, connectin’. ’Tis a royal pain in the ass, for certain. But thar be more on this later in the weeks to come. Today we attack publishing. And attackin’ publishing is like a solitary ship sent out to take the Queen’s Armada.

            I begin my tale with my first novel, Can You Hear Me Dreaming, finished sometime around ’91. Or was it ’92? Before attacking the Publishing Galleon, ya need a hearty helmsman called an agent. By way of an Oregon Writers Colony conference, an agent took me on. High ho! I was hoistin’ me black flag.
            After the agent sent my manuscript to NYC editors (back in the day when hard copies needed to be sent by snail mail and you had to reimburse the agent for these expenses, killing a tree in the process), an editor at Putnam said she wanted it. Ahoy, you could hear my triumphant shouts in Tasmania.
            Off the agent sailed to the Big Apple. But after a meetin’ with said editor and other Putnam “people,” including the “marketing rep,” it was turned down. Avast! Those loathsome marketeers said they already had a novel like it in the pipeline. The valiant editor walked my agent to the elevator and said, “Tell Valerie she’s not just a writer, she’s an author.” Well, shiver me timbers. I’d live off that for a while.
            Being a novice, I let my agents hand the manuscript back to me, their job supposedly done. I shelved the novel and went on.
            My second novel, Parallel Crossings took years, but will be my pieces of eight, I swear. Aye, I was told repeatedly that I’d taken on the hardest structure to work with—parallel plots. I care naught what “they” say. Characters tell me tales, and I’m hooked. Two women, one from Civil War time, another from the Vietnam era, told me each their tale and how they interlocked. Could I refuse them? My readers along the route loved it, even when it wasn’t ready.
            So while anchoring at Vermont Studio Center, a famous author championed my work and referred me to the grande dame of NYC agents, Elaine Markson, who accepted the novel and became my agent. Eager to meet her, I left my ship and flew to New York. A sharp, experienced woman with a list of famous writers, including Alice Hoffman, I just knew she could sell anything.
            Unfortunately, after seven editors turned the novel down, she sent the manuscript back, saying maybe a younger agent would have the energy and time to devote to it. Need I say how I felt?
            I let that novel go cold as a dead fish and started the novel I’m currently working on now. After a year or so, I pulled out Parallel Crossings and began revisions—again. After I finished, my readers assured me it was compelling and they “couldn’t put it down.” Now to find a new agent.
            After many rejections, one agent sent me the following (aye, my wall is a collage of anything that keeps me going and here you can see a few comments by readers and a manuscript page):



            Helen and I worked on the manuscript together, changed its title from Finding Vincible to her savvy suggestion Parallel Crossings, attached a blurb from a New York Times bestselling author, and off it went. Over a year, Helen tried to sell it. The editors she submitted to were tops, her energy was amazing, and her communications with me kept me positive. I didn’t have to be told what a tough market it was, or that e-readers were changing the landscape of publishing, or that bookstores were in decline. Writers know these things. But after eighteen rejections and a few editors leaving their door open to a rewrite, we stopped.
            And that’s where I am today. Writin’ my new novel and reworkin’ the second. Do I surrender? No, nay, ne'er.
            But this tale is only the bones. So if ya curiosity is up, let me know what I can tell ya in future. Give me a hearty hello on the comment thread. As my shipmate, you have my ear.
My Coaster

            Livin’ to tell the tale,
            Captain Val

Coming Up! 
"Dangerous Territory: the Mind of a Writer"
"The Fountain of Creative Ideas, or Why My Resume Wouldn't Land Me a Normal Job"
"Platform, Flatform"

... and an interview with Jessica Maxwell of Roll Around Heaven